
Sculpture Victorious
The exhibition Sculpture Victorious: Art in the Age of Invention, 1837–1901, currently showing at the Yale Center for British Art, opens at Tate Britain on 25th…
The exhibition Sculpture Victorious: Art in the Age of Invention, 1837–1901, currently showing at the Yale Center for British Art, opens at Tate Britain on 25th…
‘Flanking one side of the yard were a score or so of upreared dustcarts, and on the other side, extending almost from the outer…
‘Respectable householders and shopkeepers regularly wrote letters to the parish authorities, describing disused doorways or entrances being used as ‘urinals’, citing the offence to…
‘The disease was much feared. There was no known treatment; no obvious cause; symptoms were hideous; visitations sudden and frequently fatal.’ Throughout this month,…
‘Mud, I fear is immortal. Mud was, mud is, and mud will be. Dig what sewers we may, hollow what gutters we may, the…
‘For many Victorians, the capital’s slums were not a source of misery but a profitable little investment.’ Throughout this month, Lee Jackson reveals the…
‘In 1849, the notion of modest females requiring such public conveniences was almost inconceivable; or perhaps Bazalgette merely thought such matters too unseemly to discuss with…
‘Few know that sweepers worked on defined ‘paved crossings’ – indeed, that the Victorians possessed a precursor of the modern ‘pedestrian crossing’.’ Throughout this…
Throughout this month, in the run-up to publication of his new book in October, Lee Jackson reveals the background to Dirty Old London: The Victorian…
‘When the painter Henry Wallis first exhibited his Chatterton at the Royal Academy in 1856 the painting was acclaimed by the public and critics…
The Victorian city is often painted as a place of squalor and misery for the working class, where hordes of downtrodden workers were crammed together in dehumanising…